Work By: Erin O’Keefe, Joshua Bienko, Travis Shaffer and Keer Tanchak
November 18 – January 7, 2012
Exhibition Opening: November 18, 6pm - 9pm with
Rap Battle hosted by SIKE at 8pm (Click here to see the videos of the Rap Battle!)
Panel discussion - November 19, 11am
Click here to download the press release.
Click here to read the review of the exhibition published in the Kansas City Star.
“Remasters” highlights artists whose work is not only colored by, but directly referencing art ancestry. Artists chosen for this show acknowledge the influence of their predecessors, and embrace the nature of art and culture as cumulative. They create work that is unmistakably contemporary, while simultaneously appreciating and commenting on work that “came before”. When discussing the artists in “Remasters,” it is important to analyze their positions on appropriation. As Nicolas Bourriaud states, “Appropriation constructs a lineage between forms, signs and images.” This view is strongly apparent to the artists in the exhibition who use this practice as a model for building conceptual direction. The separation between their practices becomes an issue of semantics as they start to become either “borrowers” or “samplers.”
About the artists:
New York native Joshua Bienko exposes the fetishistic nature of sports, music, and fashion through stylistically diverse drawings, paintings, photography, and video works. His practice often references popular cultural icons such as contemporary artists, poster pinup girls, rap songs, and sports logos. He is currently a Professor at Texas A&M University located in College Station, Texas, where he lives and works. At PLUG, Bienko’s Artraps pay homage to hip-hop practices and how it samples both popular rhythms and social images. His videos respond to the YouTube culture where his “remixes” of history become personal commentary. Bienko will be a participant in the panel discussion on November 19.
Erin O’Keefe is a visual artist living and working in New York City. In addition to her fine art career, she is an Associate Professor of Architecture at the New York Institute of Technology. Her work has been featured in solo and group exhibitions in the US and abroad; it is included in museum and corporate collections including the San Francisco MOMA and the Progressive Corporation. It is apparent to any art enthusiast that Erin O’Keefe looks at Albers, but the substantial meat to her photos relates to the palettes of the Italian Renaissance. Whereas Albers explores how the relationship of color influences perception, O’Keefe’s photos depict simulated spaces that emit actual light physical presence. The resulting images are photos that represent abstract paintings hovering between illusion and recognizable space.
Originally from Vancouver, British Columbia, Keer Tanchak has also lived throughout Canada and in Munster, Germany. She received an MFA with fellowship from the School of the Art Institute of Chicago in 2003 and a BFA with distinction from Concordia University in Montreal in 2000. Tanchak won the Artist Fellowship Award from the Illinois Arts Council in 2009 and the Studio Arts award at Concordia University for most outstanding graduating student in 2000. Since graduating from the School of the Art Institute of Chicago Tanchak has been living and painting in Chicago. Tanchak’s contemporary handling of paint and material transform the Marie Antoinette-esque appropriations of Watteau and Fragonard into modern personas. The suggestion of the laissez-faire leisure of the pre-french revolutionaries inserted into contemporary context seems pointedly appropriate and provokes the viewer to consider the fate of those aristocrats as a history perhaps not desirable to repeat. Tanchak will be joining us on November 18 for the opening and doing studio visits with selected artists in Kansas City.
Travis Shaffer was born in rural Pennsylvania and currently lives and works in Lawrence, Kansas where he is a Visiting Assistant Professor at the University of Kansas. He received an MFA from the University of Kentucky in 2010. He has had recent solo exhibitions at Texas Tech University, Lubbock (2010); Land of Tomorrow Gallery, Louisville (2010) and Institute 193, Lexington (2010). The photographs and books of Shaffer present repeated phases of appropriation by using conceptual structures borrowed from Bernd and Hilla Becher, Ed Ruscha and the reconfiguration of Google Map images. Shaffer will also be a participant in the panel discussion on November 19.