Floor Plan Conduit

The Conduit for our current show Floor Plan focused on three different groups in Kansas City that use creative design techniques as a business model for interior spaces and objects.

Leaving Plug!

Jessica Rogers of Cartwheel provided a creatively designed bus for transportation to and from sites.

The Crew

And Jeffrey Isom, a local artist and designer, helped lead the tour to each location, and gave backgrounds while on the way on Cartwheel!

Utilitarian Workshop

First stop was Utilitarian Workshop. This design duo helped construct the vision of the interior of Port Fonda, where we ended our tour.  ”Utilitarian Workshop is a collaborative design studio and retail co-op in which handmade goods are the core of who we are. Our goal as designers is to transcend the traditional views regarding materials and their function, and in turn, create a fresh dialogue within an ever changing modern environment.”

Jarboe Initiative

Next was the Jarboe Initiative.  Nick Ward-Bopp showed us around his house, where he established a contract with the owner to rehab the torn down building, free of rent for about a year.  This project helped to fix up a house that would otherwise be left run down to help benefit the community on the West Side.

3 Axis Inc

The third stop was at 3 Axis.  This group was less DIY and enabled technological printing methods and tools to construct objects for more commercial purposes. They showed us how they fabricated these objects out of styrofoam and fiberglass and they built sets for museum displays.

Last Stop: Port Fonda!

Utilitarian Workshop design at Port Fonda

The tour ended for drinks at Port Fonda, where we met up again with Utilitarian Workshop and they went into detail how they collaborated to build the vision for the interior.

Thanks to everyone who came out and Jeffrey Isom and Jessica Rogers for being great guides!  If you haven’t checked out Floor Plan yet, it is still up!  Come by every Saturday 10-5pm for regular hours and we open up by appointment.

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Thinking about self-publishing + book fairs

What is the significance of book fairs in the digital age?

This great article by Catherine Roche spells out the current (and popular) state of book fairs and self publishing.  While giving a London-spin on the topic, it is very relatable to our local network of arts publications.

“At the core of artists’ self-publishing is its relationship with control, dissemination and distribution of ideas. Following a clear historical precedent, self-publishing culture offers freedom from the editorial restrictions exerted by mainstream publishing and print distribution processes, whilst also circumventing gallery systems to reach new audiences. Publication is to make public. Authorship is entirely attributed to the artist, with ideas freely or affordably exchanged.”

Today, digital technologies have allowed us to further our tools into making and self publishing zines, and give more artistic intent behind choosing analog technologies.  Self publishing today offers a wide variety of options, more than ever before, and now it is an easier to access process, which has led to its current popularity.

Anyone publishing or distributing art zines, essays, art writing, criticism, self-published artist books, etc., in the Kansas City area and are interested in promoting this dialogue?  Or know of anyone?  Feel free to contact us at info@plugprojects.com to get some ideas brewin’ to showcase the local scene.

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ART 21 SATURDAYS

In case you didn’t know – our space is open every Saturday from 10 to 5. In addition to our exhibition space, we have a collection of artist materials such as local publications, exhibition catalogs, critical journals, etc behind the gallery. We welcome you to use our resources and chat with us about art!

You might also want to know that every Saturday at 11 am we will be screening two episodes from the PBS Series “Art in the Twenty-First Century”.

A short description of the program from the Art21 website: ” ”Art in the Twenty-First Century” is the only series on television to focus exclusively on contemporary art, and it uses the medium to provide an experience of the visual arts that goes far beyond a gallery visit. Fascinating and intimate footage allows the viewer to observe the artists at work, watch their process as they transform inspiration into art, and hear their thoughts as they grapple with the physical and visual challenges of achieving their artistic visions.”

I personally have found that the most effective way of learning about an artist’s work and his or her process is through direct communication, but this might be hard to come by. Art21 offers the next best thing.

Next week’s episodes feature artists Kara Walker, Kiki Smith, Gabriel Orozco, Janine Antoni and more so be sure to be there!

 

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Andy Brayman Studio Visit

It seems like Floor Plan just opened, but here at Plug we are busy planning for the upcoming show Rare Earth, featuring artists that are interested in dealing with environmental issues in their studio practice.  Plug members stopped by local artist Andy Brayman’s studio to see his how he addressed this issue in a technological manner.

Brayman employs local data to determine the outcomes of his objects and decals which are made using both traditional ceramic processes and new technology.


One of Brayman’s devices included this 3D Scanning camera, and shown is Misha’s face being documented.

Brayman’s practice is heavily researched based and he is great at explaining this advanced technology in layman’s terms.  I highly encourage everyone to check out more of what he’s been up to here.

And of course stop by Plug for every Saturday from 10-5 to see our current show, and our next opening, Rare Earth Friday, May 17th!

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Plug Alumn News

Katie Bell made 8 Great Brooklyn Artists Under 30!

Tear Peak, Acrylic, vinyl, plaster, nails, wood, drywall, foam, laminate, and vertical blinds on wall, 6.5’ x 10’, 2011

Excerpt from her interview:

You have a very robust show history outside of New York. How did that happen?
It has all evolved very organically. I had work in Art Chicago a few years ago and that lead to a show in Kansas City, a curator saw my work at that show and told a gallery in Austin, TX, about my work which lead to a show there. I also grew up and lived in Illinois until I was 23 and many of the Midwest shows are from friends and people I know from my time there.

How do you describe your work to your parents?
I think my parents describe my work better than I do. My mom is an interior designer of sorts; she mainly picks paint colors for various types of spaces. She did a job recently where she was picking an exterior color for a car dealership in Rockford, IL, and the way she was talking about it made me think, yeah, that’s what my work should be about. My dad is a contractor and does restoration work on older homes. He is constantly building stuff, fitting things together, and uncovering surfaces. My parents are from different kinds of making worlds than where my work fits in, but the language is all the same, and I think they think that is funny.

See the rest of her interview and other artists here.

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March Critique Night

Corey Antis critiquing artist Rodolfo Marron

Yesterday Guest critics Luke Jordan and Jonah Criswell, and moderator Corey Antis helped lead a public discussion on the works of Amy DeSitter, Ahram Park, and Rodolfo Marron.

Plug Projects operates as a space where artists from a variety of backgrounds and education levels can come together to critique work.  This opportunity is a rare one, as most spaces do not offer a critique outside of people or students directly involved in their institution.  This time around, Amy is a graduate of UMKC’s fine art program, Ahram is a Kansas State Graduate in Economics, and Rodolfo’s graduated from Paseo Fine Arts Academy and all three have been represented by a variety of local galleries.  These unique Critique Nights allow for a cross-institutional and cross-disciplinary dialogue of encouraging discussion and they are definitely a popular event.

Full House!

For more information on our Crit Night Series, including submission policy, check out our webpage: http://plugprojects.com/crit_night.html

Our next Critique Night will be May 9th, and this Friday the 15th make sure to check out our next show, Floor Plan featuring works of art that offer a question of function, art and design.

 

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February Conduit @ the Kansas City Museum

Howdy Plug enthusiasts,

Despite the snowy weather, our February Conduit Event held at the Kansas City Museum last Saturday was a fruitful experience. In case you haven’t heard of our Conduit program, the events are intended to extend the ideas proposed by the exhibitions at Plug by facilitating public activities in interesting and unusual community spaces. In this case, the venue pertaining to Jill Downen’s Three Dimensional Sketchbook was none other than the Kansas City Museum, located in northeast Kansas City.

Misha greeting partipants at the Visitor Center

On museum grounds, we toured the Corinthian Hall, the 100+ year old home of lumber baron Robert A. Long and his family. The Museum itself is in a state of ongoing renovation, revealing the hidden structure of the architecture as well as remainders of the original form. This juxtaposition created an experience of constant surprise as one would shift from century old furnishing to present renovations with missing gaps between.

Following the tour, we dispersed with materials in hand to make note of structural shifts and moments that commanded our attention. Here are some photographs taken by Leon Jones, one participant of the bunch.

As we walked throughout the halls, I couldn’t help but recall Jill Downen’s constructions in miniature as they appeared behind and between the aged facades. As you may have gathered, the Kansas City Museum is a rather mysterious place of which, I for one, hope to revisit soon.

Here’s an image of the group feats.

 

Today is the last day to experience Jill Downen’s Three Dimensional Sketchbook, but don’t get too hung up if you couldn’t make it out. Downen has been awarded a space at the Studios Inc Residency in Kansas City for 2013-1015, so be sure to keep an eye out for future opportunities to see her work.

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Making with Architecture, a Panel Discussion

This month three Kansas City galleries, Plug Projects, La Esquina, and Grand Arts are hosting shows offering a dialogue on systems of structure within art practice. Thursday, February 28 at 7pm, La Esquina will be hosting a panel discussion Making with Architecture with artists represented in the three shows to cultivate this ongoing discourse.

Jill Downen "Three Dimensional Sketchbook" Photo via The Pitch

These three exhibitions offer differing views of systems of structure within art, further proving this to be a fruitful investigation. Jill Downen’s solo show at Plug Projects provides an intimate view of her Three Dimensional Sketchbook as she exhibits small monochromatic forms of plaster and balsa wood along a long table, as well as a small sketchbook-like cabinet of drawers. These forms allow the spectator to visualize themselves within this world she has established and the objects maintain a similar scale relationship throughout. However, this intimate scale allows for surprises along the way, either through opening a drawer or bending down to see a new perspective. The setting of the gallery mimics that Downen has created and it becomes an all encompassing experience of a micro scale shift.

Anthony Baab, etraphy fore, 2012, inkjet print, photo, E.G. Schempf

Similarly to Three Dimensional sketchbook, Anthony Baab’s solo show at Grand Arts, A Strenuous Non-Being commands a focus on scale to operate. This scale created in the work functions differently between each picture plane and is not constant. Baabs video, A Strenuous Nonbeing comes closest to giving us a key, as the cats act as “our only guide, so we should pay close attention and try to learn something useful.”1 We become subjects that submit to this fantastical realm that Baab creates, and spectators are forced to find themselves within this existential soup.

Composite Structures, photo by E.G. Shempf

Composite Structures at La Esquina facilitates a displaced dialogue of structure across America, with artists from the Midwest and Los Angeles. Scott Hocking’s photographs operate on a context that is depicted within the work to create a fantastical structure. Jaclyn Senne’s multi-function backstop guarding courted plates in a complex sporting structure with loose-ends and play cues to point you in the right direction, adversely relies on the gallery for her painted installation, but while doing so displaces the gallery context, giving it a performative, sport playing question of function. In this show, each artist proposes a different solution to systems of structure within art and design, furthering the dialogue both Plug Projects and Grand Arts have proposed. The panel discussion Making with Architecture held this Thursday at 7pm at La Esquina will bring together artists from the three shows and cross pollinate the solutions to structure each gallery has focused on.

1 Stephen Lichty, Anthony Baab: A Strenuous Nonbeing Exhibition Catalog, Grand Arts 2013.

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Visit to Egawa+Zbryk

 

In planning for next month’s exhibition, Floor Plan, we visited the studio of the collaborative team Egawa+Zbryk.

Since 1996, Rie Egawa and Burgess Zbryk have worked together to create work of high craft and aesthetic sensibility, floating between functional design and visual form as art objects.

As we think about the relationship between art, design and function, the work of Egawa+Zbryk is of much inspiration and we  were most excited to see what they were up to.

Let us not forget the added excitement provided by:

their beautiful dog Bacon!

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Secrets at MDWFair

In early November, Plug Projects traveled to Chicago to participate in the MDWFAIR.  MDW is focused on presenting projects orchestrated by artist-run spaces and non-profit venues in the Midwest.  As part of our Unplugged Series, Plug Projects curated seven artists from Kansas City in an exhibition titled “Secrets” (MDW) that presented work that addressed a sense of ambiguity/mystery and complemented our exhibition in our KC gallery space (Secrets (KC) is on view until January 5th).  Corey Antis, Jonah Criswell, Scott Dickson, Mike Erickson, Justin Gainan, and Jessica Kincaid were included and presented an outstanding show.  The image below is an installation view of our booth and depicts the paintings of Mike Erickson, collages by Scott Dickson, and the sculptures of Corey Antis.  Two new sculptures by Antis are on view in our current exhibition.

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